艺术是。。。有意识的抉择

我感觉如果用好看来形容shore的照片几乎是对他的侮辱

我相信shore那么说是为了自卫,而不是去攻击或者教育别人.

我记得森山大道说过完全相反的话.

没有谁是绝对正确的,每个人都有自己的工作方式,干好自己的少指挥别人就好了.

　最近看了杂志推荐这本书...不过貌似国内买不到呢 T-T 总之谢谢你的推荐~~~

看第一遍没什么感觉....但多看了好几遍,味道慢慢出来了...

"……把摄影当作艺术跟把照片拍好看是两回事儿。"
我太同意了。

“...的确他的照片单挑几张出来来独立观赏，远没有整本书一遍一遍翻有趣...”
这句话我有共鸣。
连贯性 整体性的表达方式 是传播摄影艺术的重要手法之一吧

reading this book these days...pretty helpful comments, thank you.

So I put the books away and thought about it for a while, from the perspectives of a book lover instead of a camera lover.

The day after reading Uncommon Places, I could suddenly see his pictures everywhere in my daily commute through a suburban sprawl. The jagged lines of the horizon, the overlapping telephone poles and lampposts, the pastel colored house, out of repair industrial buildings, the school crossing man sitting under his big striped umberlla, the oleander shrub fencing an entrance road to a gas factory, the old-fashioned but never kitsch store signs, the beatup cars...

This town I go to work at is not rich or modern, many streets look just like a midwestern place, I've always wanted to stop on the way and take a few pictures of these, not in the Stephen Shore manner though, definitely not putting everything on the same picture, it's not pretty from where I'm sitting, nothing is in harmony, there'll be so many conflicting elements in the frame, violating numerous composition "rules", yet the whole scene look "instilled in time", it is a sight that makes people feel in place, as opposed to some magnificant city in which one could easily find himself "just passing by".

Unlike when I've got a camera in my hand, where I'd look in every direction for the best angle, trying to put on film what I did not see at the beginning, I was just sitting behind the wheel, feeling hungry at the very vision.

"艺术是有意识的抉择"
而不是"艺术就是有意识的抉择"

对不起我挑字眼了……好文

所谓的“大巧若拙”是也。

不仅是在摄影艺术的领域，现在的很多标榜“现代”或“后现代”字眼的艺术品，个人色彩不是缺乏，而是太浓厚了，反而限制了艺术品在观众中激发出的无限可能性，从这个角度出发，平淡而不失优雅的摄影艺术作品往往更加难能可贵，和洗净铅华的人生一般。

有机会我一定好好拜读，感谢你的推荐。